![]() ![]() You can use the Sound Lock feature while you browse functions. On top of the effects, you can change the tone and timbre to your taste, shaping the waves, reducing or crushing, and shifting them on a polyphonic level. You can change samples using step dividers, pitch slides, and you can even alter chord voicing or melodic step-by-step inversions. There are new system tuning and scale functions. It also allows you to adjust the amplitude and frequency on a detailed scale to create some of the most complex sounds in the world. It breaks the sound down into grains that are built-up into sonic events. ![]() The 2.6 software has developed additional Psychoacoustic sounds and a brand-spanking-new granular synthesis engine. ![]() You can borrow effects from one patch and apply them to another with ease. It allows you to view the shifting variations. The FM/ring modulator and other filters have been updated there are over 100 New Wavetables and State Variable Filters, and there are a ton of shapes to choose from to use with the ORB circular motion interface. You can import your own samples to use the oscillator with, or choose from the armada of patches. There are over 500 wave oscillations to sculpt with including 8 LFOs and 12 Envelopes, and there are also eight independent arpeggiators. You can play with any of the 57 on-board FX units and use up to 16 at the same time. They have a doubled Mod Matrix for your mix effects. You can type search terms such as 'bells,' 'choir' or 'wind' for a list of options. When you pick a patch you like, it'll automatically call-up related sounds with its Sound Match feature. With such a huge library, the software, it has some great user-friendly elements to keep things simple. The patches are well organized for easy navigation and retrieval. This new edition brings more than 14,000 sampled sounds to the table and has oscillations-galore. The mini browser is available at all times and can be expanded into a full browser. The interface itself has been revamped it can now be re-sized. For those who don't know, Omnisphere was the first innovative synthesizer software to integrate hardware use into its functionality, expanding its potential into infinite realms. This is great news for those of you who found that the original software didn't function with your keys. We can't list the entirety of compatible synths, because we'd be here all day, but let's just say that this synthesizer has widened the compatibility with all the major manufacturers, including Moog, Korg, Roland, Yamaha, Novation, and Dave Smith instruments. The 2.6 upgrades have been rewritten to cater to a wider range of synthesizers available, and they've expanded on previous libraries and FX. The 2.5 software was greatly received when it made its way onto the market. Today we're giving an in-depth overview of what the Omnisphere2 Software synthesizer offers. ![]()
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